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《女儿出轨,妈妈也出轨》在线观看HD无字电影免费不卡日本韩国视频1

剧情简介

导演:瓦迪姆·科斯特罗夫 

主演:胡军,林志颖,高虎,修庆,刘亦菲,陈好,刘涛,魏宗万,蒋欣,杨蕊,汤镇宗,舒畅,申军谊,计春华,石兰,马浴柯,李勇勇,王璐瑶,彭丹,高远,钟丽缇,阮丹宁,王祎,王海珍,周冰清,周玉洁,任泽巍,刘立伟,张衡平,李彧,高照,赵雍,修革,巴音,吕士刚,谢雨欣,张谦,任舞,鄂不斯,晋松,郑爽,孙蛟龙,许还山,张纪中,马仑,黄小蕾,刘仲元,周晓文,杨念生,许敬义,张楠,赵强,廖琪瑛 

James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?详情
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